Previous posts in the series about values:
Swatching crayons by value, part 1
Swatching crayons by value, part 2
Experimenting with values, part 1
Today
The second batch of my value studies
Color vs. black and white
Q&A below
Q & A
I have a question from Lynne in my previous post. I want to answer it here.
The first part of Lynne's question:
I am really intrigued by this series of experiments. I'd like to know your thoughts on what you started to understand in the last sketch.
When I look at the images from the previous post in black and white, it all seems so random:
The values of the background and teapot/vase are too similar
Or the objects are as dark as the background
Or shadows are too light or too dark.
Everything is out of sync.
Then, the last one (bottom right) looked harmonious to my eyes for the first time. It looked like this could be a natural scene and that it was what I was looking for. The shadows are as dark as they should be. And the colors play well together—a happy accident.
The second part of Lynne's question:
Also, what do you mean by, 'distinct colours, must be 10 apart?' (Paraphrasing).
The best way to answer will be with concrete examples based on images from this post.
The background color in the third image in the top row is light grey and has the number 23 on my color chart. To find the color of a shadow on this surface, I will go down on my chart to at least color 33 or further down. I used an analogous gray (40) color in this case.
In the background of the bottom left picture, I have a periwinkle blue in light (44) and lilac (63) in the shadow.
I use the same method to choose value differences between objects, like the vase vs. background or table. I want different values on each element so they don't blend. And for this, the neighbor colors must be at least 10 points away on my color charts. For example
The bottom right image has a bottle in grass-green (35) and a background in mauve (50).
An example where the colors are too close for me
The second image in the top row has a background in grey (40), and the table is olive green (46).Â
I hope this answers your question, Lynne! :)
One more thing…
I just wanted to say these are just experiments, my way of learning and trying to understand things. I hope at some point, thinking about values when choosing colors will become intuitive, and I will no longer need the color charts.
If you are still reading down here, I wish you many happy accidents :)
Love this set of experiments - they are so moody. Don’t you also think that neocolors just has the best range of colours?!
These are great exercises for anyone, but especially for those who find using colour a bit daunting.
I'm enjoying this series so much! I have a jumbo pack of oil pastels on order and I am excited about re-creating these exercises with them!